↑ Unless noted otherwise, librettist details are as given by Osborne: The Complete Operas of Mozart
↑ Unless indicated otherwise, these descriptions are taken from the title pages of Neue Mozart-Ausgabe. In instances where the English meaning is unclear, an English equivalent is given
↑ Voice part summaries are as given by Osborne. Additional notes indicate roles originally sung by castrati
↑ Unless noted otherwise, details of first performances are as given by Osborne.
↑ The contralto or mezzo role was created by Maria Anna Braunhofer, who had sung a soprano role in the first performance of Die Schuldigkeit. Osborne, pp. 13 & 35
↑ The soprano roles of Sifare and Arbate, and the alto role of Farnace, were written for castrati. Osborne, p. 59
↑ The soprano roles of Ascanio and Fauno were written for castrati. Osborne, p. 69
↑ Details of first performance are obscure. Osborne gives dates "29 April or 1 May", Kenyon, p. 296 says: "There is no record it was actually performed in 1772"
↑ The soprano role of Cecilio was written for a castrato. Osborne, p. 86
↑ Mozart prepared a Singspiel version, Die verstellte Gärtnerin, produced in Augsburg on ngày 1 tháng 5 năm 1780. The German version, now known as Die Gärtnerin aus Liebe, has remained popular. Kenyon, pp. 300–01, Osborne, p. 97
↑ The soprano role of Ramiro was written for a castrato.
↑ The role of Idamante, originally written for castrato, was rewritten by Mozart as a tenor role in 1786. (Osborne, p. 155) Also, the role of Arbace is sometimes sung by a tenor
↑ One speaking role, that of a sailor, is absent from most modern productions
↑ The soprano mezzo singers include the two servant-girls, either two sopranos or one soprano and one mezzo, who sing the duet "Amanti, costanti" in the Act III Finale. Osborne, p. 251
↑ For the Vienna premiere, six months later, certain changes were introduced, mainly to accommodate the ranges of a different group of singers. Modern performances generally conflate the Prague and Vienna productions. Osborne, p. 268
↑ One mezzo-soprano role, depicting the male character Annio, was originally a castrato and is now done by mezzos. The role of Sesto (Sextus) was originally written by Mozart for a tenor before he found out it had been assigned to a mezzo castrato.
